Leslie Feinberg

 
 

Stone Butch Blues (1993)

“But very quickly I discovered that passing didn't just mean slipping below the surface, it meant being buried alive. I was still me on the inside, trapped in there with all my wounds and fears. But I was no longer me on the outside.”

“Oh, Ruth. I wish we had our own words to describe ourselves, to connect us.”

Ruth stood up and opened the broiler. “I don’t need another label,” she sighed. “I just am what I am. I call myself Ruth. My mother is Ruth Anne; my grandmother was Anne. That’s who I am. That’s where I come from.”

I shrugged. “I don’t want another label either. I just wish we had words so pretty we’d go out of our way to say them out loud.”

“When my alarm jangled in the morning, I awoke feeling small and terrified. I couldn't find myself in my own life—there was no memory of me that I could grasp. There was no place outside of me where I belonged. So every morning I willed myself back into existence.”

“I've been going to the library, looking up our history. There's a ton of it in anthropology books, a ton of it, Ruth. We haven't always been hated. Why didn't we grow up knowing that?”

 

Transgender Liberation: A Movement Whose Time Has Come (1992)

[coming soon]

 

Trans Liberation: Beyond Pink or Blue (1998)

“I have heard an argument that transgender people oppress transsexual people because we are trying to tear down the categories of male and female. But isn't this the same reactionary argument used against transmen and transwomen by those who argue that any challenges to assigned birth sex threaten the categories of man and woman? Transgender people are not dismantling the categories of man and woman. We are opening up a world of possibilities in addition. Each of us has a right to our identities. To claim one group of downtrodden people is oppressing another by their self-identification is to swing your guns away from those who really do oppress us, and to aim them at those who are already under siege.”

“I actually chafe at describing myself as masculine. For one thing, masculinity itself is such an expansive territory, encompassing boundaries of nationality, race, and class. Most importantly, individuals blaze their own trails across this landscape. And it’s hard for me to label the intricate matrix of my gender as simply masculine.”

“To me, branding individual self-expression as simply feminine or masculine is like asking poets: Do you write in English or Spanish? The question leaves out the possibilities that the poetry is woven in Cantonese or Ladino, Swahili or Arabic. The question deals only with the system of language that the poet has been taught. It ignores the words each writer hauls up, hand over hand, from a common well. The music words make when finding themselves next to each other for the first time. The silences echoing in the space between ideas. The powerful winds of passion and belief that move the poet to write.”

“The use of the word ‘transgender’ has changed over the two decades since I wrote Stone Butch Blues. Since that time, the term ‘gender’ has increasingly been used to mean the sexes, rather than gender expressions. This novel argues otherwise.”

“My own life and consciousness straddles the trans communities and the lesbian, gay, and bi communities. I can feel the muscle we could flex if we could fight back together against all forms of discrimination, bigotry, and bashing. And I wanted each person in this room - cross-dresser and partner alike - to feel the potential strength of that coalition.”